![]() ![]() The drums are muffled, damped, it’s very seventies. The bass and electric guitars slide in almost unnoticed, joined by a drummer at the first chorus. It starts out with him alone at the electric piano, singing in his deepest, most mournful register. The song is almost a blank canvas.īeck cut it with Jon Brion for 2004’s Eternal Sunshine of the Spotless Mind. It’s been done as breakbeat house by Baby D, as adult-contemporary dance-pop by Yazz and by Italian rock singer Zucchero (a typically over-the-top reading). The song, sounding like an alternate path John Lennon may have gone down for Double Fantasy if he hadn’t consciously turned his back on the future to retreat into his own past (Just Like Starting Over, with its Sun slapback, is nothing more than pastiche), is ideal for cover versions. Everybody’s Gotta Learn Sometime hit big (number 5 in the UK, number 18 in the US) and still gets radio play, but no one remembers who made it, and everyone has their own favourite version, often not the original. But still, even in times that were sympathetic to their cause, the Korgis were made to be forgotten. They were far from the only group shedding their old fanbases and trading in student union worship for mainstream acceptance (at this point, Gabriel and Collins were already huge stars, Fripp was producing Daryl Hall and playing guitar for Bowie and Talking Heads in two years Asia would have the best-selling album of the year). The Korgis, then, in 1980 were a little too old, a little too bald, a little too paunchy for their new wave suits. The original Everybody’s Gotta Learn Sometime was by the Korgis, a group formed out of the remains of Stackridge, a 1970s prog band.
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